Normally you just have the impression that the volume is doubled, which is only to be expected after all. Now, use the pitch bend. Pitch deck A up a little.
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Notice how the sound has changed. Keep pitch bending up until you hear two different sounds, like an echo, instead of the flanging sound.
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Now pitch bend deck A down, in short bursts, all the way to the other side. Play around with the pitch bend and see how the sound evolve. And then, press sync. As you can see, there is quite a wide range of possible superpositions, that all have their distinct sound. When the phase difference is larger than that, you hear two sounds. Pitch bend up the deck B to catch it up! Let A glide up again. Try to use the tempo control of B to catch up with A. You can also use pitch bend at any time to change the position of the current phase.
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As you can see, this is fun, and learning to do this allows the introduction of tension in your mixing. If two songs are not bang on synched from the start for example, one is a little behind, and people can feel that you are struggling to get them back together. You may then require more than sync to keep the night on track. So, theoretically you can use the sync button and then adjust the exact phase you prefer by hand. Crunk Wars. DJ Captain Crunk. Composer, Primary Artist.
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