Watch an 18-year-old Mac Miller freestyle in this resurfaced video
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So sad that this brother passed away , I am so greatful for his music. This was one of my favorite albums of his. P Mac Miller. Again and Again he delivers quality among and above the rest, this is just one album in a collection he has released in his time. There are some songs that reflect his struggle with abuse, but there also songs that pick you up and make you want to keep fighting.
Really can't help but to keep it on repeat!! Rest In Peace Malcolm - Let's have a drink sometime!!! Record was perfect. No warps or scratches. Everything in perfect condition.
One of his best albums. Super pleased with the quality of the vinyl. What's not to like! Its Mac Product was delivered within a day and packaging was secure! Amazing album rip easy Mac. This recird was great. I have been listening to Mac for years and his vinyls are worth every penny. Amazing vinyl.
Amazing album from an amazing artist. Sounds even better on vinyl. This album is a must buy for any fan of hip hop. See all 66 reviews. Customers who bought this item also bought. Swimming [Explicit]. The Divine Feminine [Explicit]. Blue Slide Park [Explicit]. The Lost Boy [Explicit]. There's a problem loading this menu right now. Learn more about Amazon Prime.
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A year and a half after K. But it was panned by most critics, including an infamous 1.
Mac was a soft target, and a 1 on a ten-point scale is an obvious exaggeration, but the album was genuinely bad — musically thin and, at a few embarrassing points, indebted to the EDM that was beginning to dominate American pop. Mac sounded stiff and anonymous, like he was straining to capture the adolescent verve of K. The numbers were the numbers, but what was meant to be his coming-out party seemed like a regression. What the Pitchfork review got wrong, however, was its choice of antecedent.
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In the broad sense, this is not wrong. But despite Eminem becoming one of the most famous people on the planet at the turn of the century, his fame did not open the floodgates for an imitating wave of white rappers to make it big on major labels. And so this, frat rap, is the space Mac Miller lived in from his formative stages through Blue Slide Park.
His peers included Roth and insipidly awful, quasi-novelty acts like Sammy Adams. Miller was clearly more talented than Roth and, unlike Adams, seemed to be in love with hip-hop as culture as opposed to as window dressing — the rappers he was grouped with were not the types to rap over Lord Finesse beats. But to many listeners, critics, and other artists, pointing out those differences was simply splitting hairs, and with Blue Slide Park , Mac seemed to sink into the morass with the worst of his contemporaries. Instead, having relocated to a compound in Studio City, the L.
He tinkered and tweaked his style until it became a full-fledged reinvention. Mac began producing his own music and seeking out more daring collaborators; he also moved from weed to harder drugs, and rapped lucidly about the effects they had on his brain and body.
Watch an year-old Mac Miller freestyle in this resurfaced video
Around this time, Mac became a beloved fixture in L. He opened his home and studio to countless major and underground artists and made himself a sounding board for their ideas; he became particularly close with artists like Earl Sweatshirt, whom he collaborated with frequently, and Vince Staples, for whom he produced an entire album, Stolen Youth. The result was an album that sounded worlds apart from Blue Slide Park , something with tics and neuroses too difficult to untangle on the quad.
As he was progressing as an artist, he was also developing a sophisticated perspective on race and rap. That his early success was due in large part to his race was not lost on him; Mac spoke, frequently and incisively , about that very dynamic. He also used his platforms to challenge those white fans of his who were unwilling to examine their own racism.
Mac never became an exceptionally innovative technician; there are points on Watching Movies when he lapses into flows that recall his amateur stages back in Pittsburgh.
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His gift was not being ahead of the curve — rather, Mac grew into a compelling artist because he was able to reflect interesting musical trends in real time. This is not to suggest he was a biter or that he was derivative. Mac grew into a collagist, able to rearrange familiar component parts into something that sounded, in its finished form, as if it were deeply personal.
At the end of , Mac announced that he had signed a label deal with Warner Bros. But it was his album, The Divine Feminine , that marked another creative repositioning. Paak and Chance the Rapper. It also centered a live-instrumentation feel that would mark much of his later work, and showed considerable growth in terms of song structure and vocal control. But there are also comments from years past that have resurfaced, buoyed by dozens of new likes. Comments like this:.